28. Oktober 2020
von DL Cade
Kommentare deaktiviert für An ‘Aural Ode’ to the Classic Zenza Bronica S2a

An ‘Aural Ode’ to the Classic Zenza Bronica S2a

In response to the classic camera shutter sound video we shared yesterday, a reader sent over another, even more enjoyable entry into the “oddly satisfying” category. Created a few years ago by YouTube user Tywen Kelly, he de… Read the rest “An ‘Aural Ode’ to the Classic Zenza Bronica S2a”

27. Oktober 2020
von DL Cade
Kommentare deaktiviert für Film Photography Shootout: 35mm vs 120 Film with Fuji 400H

Film Photography Shootout: 35mm vs 120 Film with Fuji 400H

Braedon Flynn from Film Supply Club is back with another film photography shootout. Except this time, instead of comparing two different film stocks (see here), he’s comparing two formats using the same film: 35mm and 120 format Fu… Read the rest “Film Photography Shootout: 35mm vs 120 Film with Fuji 400H”

20. Oktober 2020
von DL Cade
Kommentare deaktiviert für Using a 17-Year-Old Digital Back on a Hasselblad 500C/M

Using a 17-Year-Old Digital Back on a Hasselblad 500C/M

Photographer Mark Fore has a classic Hasselblad 500C/M that he would love to shoot digitally, but he didn’t want to drop $6,400 on the new 907x 50c with the compatible CFV II 50C digital back. Instead, he picked up a 17-year-old Phase O… Read the rest “Using a 17-Year-Old Digital Back on a Hasselblad 500C/M”

17. Oktober 2020
von Jay P. Morgan
Kommentare deaktiviert für Pentax vs Contax: Testing 2 Go-To Film Cameras for Wedding Photography

Pentax vs Contax: Testing 2 Go-To Film Cameras for Wedding Photography

Today we’re going to take a look at two film cameras. We have the Pentax 645nII and the Contax 645: two of the last medium format film bodies ever produced, and the two most popular go-to cameras for wedding shooters who are still shooting film… Read the rest “Pentax vs Contax: Testing 2 Go-To Film Cameras for Wedding Photography”

31. August 2020
von DL Cade
Kommentare deaktiviert für Phase One Unveils $13K 90mm f/5.6 Lens for the Medium Format XT System

Phase One Unveils $13K 90mm f/5.6 Lens for the Medium Format XT System

Phase One has just unveiled the latest lens for the $57,000 XT camera system. The new XT-Rodenstock HR Digaron W/SW 90mm f/5.6 is the fifth lens for this system, weighing in at $13,000 and built with three priorities in mind: image quality, i… Read the rest “Phase One Unveils $13K 90mm f/5.6 Lens for the Medium Format XT System”

14. August 2020
von DL Cade
Kommentare deaktiviert für Sensor Comparison Revisited: Does Sensor Size REALLY Matter?

Sensor Comparison Revisited: Does Sensor Size REALLY Matter?

A few months back, the guys at The Slanted Lens posted a video comparing the performance of various sensor sizes and it… didn’t go well. The comments were filled with complaints (valid and otherwise) about how they’d ha… Read the rest “Sensor Comparison Revisited: Does Sensor Size REALLY Matter?”

12. August 2020
von DL Cade
Kommentare deaktiviert für Hasselblad Finally Releases the 907X: Its Smallest Medium Format Body Ever

Hasselblad Finally Releases the 907X: Its Smallest Medium Format Body Ever

More than a year after announcing the thing in June of 2019, Hasselblad is finally ready to start selling and shipping the 907X 50C: a (relatively) compact medium format system that combines the CFV II 50C V System digital back with the small… Read the rest “Hasselblad Finally Releases the 907X: Its Smallest Medium Format Body Ever”