7. April 2021
von Jaron Schneider
Kommentare deaktiviert für Sony Quietly Launches a7R IIIa and a7R IVa Mirrorless Cameras

Sony Quietly Launches a7R IIIa and a7R IVa Mirrorless Cameras

Sony has quietly launched new versions of its a7R III and a7R IV cameras that feature some small cosmetic changes along with noticeable improvements to specific hardware. The new cameras have a new “a” added to the official pr… Read the rest “Sony Quietly Launches a7R IIIa and a7R IVa Mirrorless Cameras”

30. März 2021
von Jaron Schneider
Kommentare deaktiviert für Panasonic Recognizes That Its DFD Autofocus Still Needs Work

Panasonic Recognizes That Its DFD Autofocus Still Needs Work

In an interview with DPReview, Panasonic’s Imaging Division director Yosuke Yamane promised to “strengthen” the brand’s commitment to both full-frame and micro four thirds, while also noting that it is awar… Read the rest “Panasonic Recognizes That Its DFD Autofocus Still Needs Work”

15. März 2021
von Jaron Schneider
Kommentare deaktiviert für Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?

Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?

Photographer and content creator Manny recently tried out the Laowa 15mm f/4.5 Shift Lens which, while clearly very niche, he argues can be used very effectively for architecture photography in this 12-minute video.

The Laowa 15mm f/4.5 … Read the rest “Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?”

15. März 2021
von Jaron Schneider
Kommentare deaktiviert für Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?

Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?

Photographer and content creator Manny recently tried out the Laowa 15mm f/4.5 Shift Lens which, while clearly very niche, he argues can be used very effectively for architecture photography in this 12-minute video.

The Laowa 15mm f/4.5 … Read the rest “Laowa 15mm f/4.5 Shift Lens: Perfect for Architecture Photography?”

10. März 2021
von Jaron Schneider
Kommentare deaktiviert für The Rhinocam Vertex Lets Any Camera Take Medium Format-Style Photos

The Rhinocam Vertex Lets Any Camera Take Medium Format-Style Photos

Fotodiox has announced a nifty new “spin” on taking high-resolution, square-shaped, medium-format-style photos using one of many different interchangeable lens mirrorless cameras. The Rhinocam Vertex lets you easily … Read the rest “The Rhinocam Vertex Lets Any Camera Take Medium Format-Style Photos”

17. Februar 2021
von Jaron Schneider
Kommentare deaktiviert für Panasonic Unveils Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. Lens

Panasonic Unveils Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. Lens

Panasonic has announced the Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. lens for L-mount. The company says it boasts both high performance throughout the zoom range as well as close focusing capabilities which combine into a well-rounded pa… Read the rest “Panasonic Unveils Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. Lens”

16. Februar 2021
von Jaron Schneider
Kommentare deaktiviert für Cosina Announces Three Voigtlander 35mm f/2 Lenses

Cosina Announces Three Voigtlander 35mm f/2 Lenses

Cosina has announced three new 35mm /2 lenses under the Voigtlander brand, two for the Leica M-mount and one for Sony E-mount cameras: the Voigtlander Ultron Vintage Line 35mm F2 Aspherical Type II VM and two versions of the Voigtlander Apo… Read the rest “Cosina Announces Three Voigtlander 35mm f/2 Lenses”

9. Februar 2021
von Jaron Schneider
Kommentare deaktiviert für The Highly-Anticipated Sony 35mm f/1.4 GM is Delayed Indefinitely

The Highly-Anticipated Sony 35mm f/1.4 GM is Delayed Indefinitely

Sony Japan has announced that the 35mm f/1.4 G-Master which was slated to start releasing this week is delayed for an unspecified amount of time due to “production reasons.”

In a note published to its Japanese website, Sony wr… Read the rest “The Highly-Anticipated Sony 35mm f/1.4 GM is Delayed Indefinitely”

3. Februar 2021
von Jaron Schneider
Kommentare deaktiviert für The Sony A1 Could Open the Door to Full-Size Computational Photography

The Sony A1 Could Open the Door to Full-Size Computational Photography

The Sony Alpha 1 may have many impressive specifications, but one that stands out as having greater implications for image-making is the sensor readout speed: it’s so fast it may be able to achieve the computational photography we s… Read the rest “The Sony A1 Could Open the Door to Full-Size Computational Photography”

13. Januar 2021
von Jaron Schneider
Kommentare deaktiviert für Sony Unveils the FE 35mm f/1.4 G-Master Lens

Sony Unveils the FE 35mm f/1.4 G-Master Lens

Sony has announced the 59th addition to the E-Mount lens lineup, the 35mm f/1.4 GM. Built “in the same spirit” as the 24mm f/1.4 GM, Sony claims this lens is capable of being a do-it-all lens, from portraiture to landscapes.

Wit… Read the rest “Sony Unveils the FE 35mm f/1.4 G-Master Lens”

31. Dezember 2020
von Alan Adler
Kommentare deaktiviert für Camera Gear ‘Overkill’: Why Bigger and Faster Is Not Always Better

Camera Gear ‘Overkill’: Why Bigger and Faster Is Not Always Better

Full frame and medium format systems can produce images of greater quality than APS-C. But that greater quality is rarely perceived, even in very large prints. I call it “overkill” because we cannot perceive the advantage of … Read the rest “Camera Gear ‘Overkill’: Why Bigger and Faster Is Not Always Better”

27. November 2020
von DL Cade
Kommentare deaktiviert für Why Canon is Winning Full-Frame Mirrorless

Why Canon is Winning Full-Frame Mirrorless

When the mirrorless race began in earnest at the end of 2018, nobody knew who would come out on top. Three years and more than 10 full-frame mirrorless camera bodies later, the answer is obvious: Canon is winning big, and they’ve done i… Read the rest “Why Canon is Winning Full-Frame Mirrorless”

9. November 2020
von Kien Lam
Kommentare deaktiviert für My 10 Year Search for the Perfect Camera Brought Me Back to APS-C

My 10 Year Search for the Perfect Camera Brought Me Back to APS-C

In 2015, I fully committed to switching from my Nikon DSLR system to a Sony mirrorless system starting with the Sony a7 II. Up until that point, I had always held on to my Nikon D700 and D800 as my workhorse cameras for weddings and commercial sh… Read the rest “My 10 Year Search for the Perfect Camera Brought Me Back to APS-C”

30. Oktober 2020
von DL Cade
Kommentare deaktiviert für Laowa Unveils 15mm f/4.5 Shift: The World’s Widest Shift Lens for Full-Frame Cameras

Laowa Unveils 15mm f/4.5 Shift: The World’s Widest Shift Lens for Full-Frame Cameras

Venus Optics has just unveiled a new “world’s first” in the optics game. The new Laowa 15mm f/4.5 Zero-D Shift Lens is apparently “the world’s widest shift lens for full-frame cameras,” and it will … Read the rest “Laowa Unveils 15mm f/4.5 Shift: The World’s Widest Shift Lens for Full-Frame Cameras”

29. Oktober 2020
von DL Cade
Kommentare deaktiviert für Nikon D850 Price Cut by $500, Now Cheaper than Its Ever Been

Nikon D850 Price Cut by $500, Now Cheaper than Its Ever Been

If you’re in the market for a full-frame DSLR, listen up, because one of the best cameras on the market is now cheaper than ever. The Nikon D850—once dubbed “the pinnacle of DSLR technology” by DPReview—just received a $Read the rest “Nikon D850 Price Cut by $500, Now Cheaper than Its Ever Been”

26. Oktober 2020
von Jaron Schneider
Kommentare deaktiviert für Sony a7C Images Appear “More or Less Identical” to Those Taken on a7 III

Sony a7C Images Appear “More or Less Identical” to Those Taken on a7 III

Imaging Resource, one of the most reputable camera testing organizations online, today released its sample gallery for the Sony a7C. After comparing the images to the same photos taken on the Sony a7 III, they look strikingly similar.

Tho… Read the rest “Sony a7C Images Appear “More or Less Identical” to Those Taken on a7 III”

26. Oktober 2020
von DL Cade
Kommentare deaktiviert für Nikon Z6 II Autofocus Test: A Solid Improvement Over the Z6

Nikon Z6 II Autofocus Test: A Solid Improvement Over the Z6

Wedding and event photographer Taylor Jackson has been shooting with the original Nikon Z6 pretty much since it came to market. So when the Nikon Z6 II came out promising improved autofocus, TWO image processors, better video, and a batter… Read the rest “Nikon Z6 II Autofocus Test: A Solid Improvement Over the Z6”

14. Oktober 2020
von DL Cade
Kommentare deaktiviert für Nikon Unveils Z6 II and Z7 II with Dual Card Slots, 4K/60p Video and More

Nikon Unveils Z6 II and Z7 II with Dual Card Slots, 4K/60p Video and More

As promised last month, Nikon has officially unveiled the new and improved Nikon Z6 II and Nikon Z7 II full-frame mirrorless cameras: iterations on the first generation that add some important features like dual card slots, 4K/60p video c… Read the rest “Nikon Unveils Z6 II and Z7 II with Dual Card Slots, 4K/60p Video and More”

8. Oktober 2020
von DL Cade
Kommentare deaktiviert für Nikon Introduces ‘Worry-Free’ 30-Day Trial for the Full-Frame Nikon Z5

Nikon Introduces ‘Worry-Free’ 30-Day Trial for the Full-Frame Nikon Z5

Nikon has brought back the ‘Nikon Yellow’ trial program, allowing US-based photographers to try the new Nikon Z5 full-frame mirrorless camera “worry free” for 30 days. If you don’t like it, simply send b… Read the rest “Nikon Introduces ‘Worry-Free’ 30-Day Trial for the Full-Frame Nikon Z5”

7. Oktober 2020
von DL Cade
Kommentare deaktiviert für First Set of Nikon Z9 Specs Leaked: 46MP Sensor, 20fps, 8K/30p Video

First Set of Nikon Z9 Specs Leaked: 46MP Sensor, 20fps, 8K/30p Video

The first set of rumored specs for the professional-grade Nikon Z9 have leaked, and it seems Nikon isn’t playing around. The flagship-level full-frame mirrorless camera will allegedly feature a 45MP sensor, 20fps continuous sho… Read the rest “First Set of Nikon Z9 Specs Leaked: 46MP Sensor, 20fps, 8K/30p Video”